הוצאות אלטרנטיביות - ALTERNATIVE

From the minds of Bryan Johnson and Walter Flanagan, stars of AMC's hit television show, Comic Book Men! Shortly after Alan Ostman's daughter goes missing on a family camping trip, he finds himself living life on the fringes. After a particularly rough night, an industrialist interested in Alan's research focusing on the "alternative sciences" bails him out of jail and offers Alan a job. Think your boss is bad? At least they're (probably) not a leather pig-mask wearing, inter-dimensional miscreant bent on having a race of malignant beasts exterminate the world's best known cryptids and destroy the entire universe in the process. Does humanity have a shot? A mythical society of Gray aliens didn't create Cryptozoic Man for nothing!

Warren Ellis' critically acclaimed Dark Blue is now available as a deluxe graphic novel illustrated by Jacen Burrows with full grey tones! Violent, disturbed cop Frank Christchurch has too many problems. He has a partner who's convinced he's mentally ill, a commanding officer on smack, and a killer whom no one else seems to want to catch. The pressure of his savage life is triggering murderous outbursts and hallucinations. Frank Christchurch is on the way down. And he might take everyone with him. Nothing is as it seems. This collected edition features an all new afterwards by Warren Ellis.

For thousands of years, the world has been controlled by the "50 Families," a secret network of vampire covens engaged in a timeless struggle for power. But when the sun rises, the vampires are forced to employ the services of a human who acts as their daytime fixer and protector. Trained for centuries to be the mortal soldiers of their vampire employers, the Day Men go forth at sunrise, alone into the world, to do the bidding of their sleeping benefactors.

If the dead could come back for just one night, would we want them to? Meet the Haskins, a seemingly normal suburban family, as they prepare for the annual macabre holiday known as "Dead Day" - when the deceased rise from the grave from sunset to sunrise. Some come back to reunite with family and friends, others for one last night of debauchery, still others with only one thing on their decomposing mind: revenge.

AGES 11-15 Callie loves theater. And while she would totally try out for her middle school's production of "Moon over Mississippi," she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage and offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!

כריכה קשה A debut graphic novel that poignantly blends memoir, magic realism, and graphic medicine. Ephemera is a poetic and dreamlike take on a graphic memoir set in a garden, a forest, and a greenhouse. The story drifts among a grown woman, her early memories as a child, and the gossamer existence of her mother. A lyrical entry in the field of graphic medicine, Ephemera is a story about a daughter trying to relate to a parent who struggles with mental illness. Gorgeously illustrated, it is a quiet book of isolation, plants, confusion, acceptance, and the fog of childhood.

כריכה קשה The legendary cartoonist aims his pen and paper toward his high school summer job. For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits. Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the job through his father’s connections, a fact which rightfully earns him disdain from the lifers. Guy’s dad spends his whole career in the white collar offices, working 9 to 5 instead of the rigorous 12-hour shifts of the unionized labor. Guy and his dad aren’t close, and Factory Summers leaves Delisle reconciling whether the job led to his dad’s aloofness and unhappiness. On his days off, Guy finds refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school–only to be told on the first day, “There are no jobs in animation.” Eager to pursue a job he enjoys, Guy throws caution to the wind.